Plots Béton

Nov 08, 2017 A subplot is a set of events that occur within the wider narrative of your story, but a B plot is baked into its structure. A B plot is there to do a job, often altering how the reader experiences the main plot and the story as a whole. That’s why, once you start looking for them, you’ll find B plots in a lot of successful stories. (Redirected from B-Plot) In fiction, a subplot is a secondary strand of the plot that is a supporting side story for any story or the main plot. Subplots may connect to main plots, in either time and place or in thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist. Plot the piecewise function Plot multiple lines using hold on. Specify the plotting intervals using the second input argument of fplot. Specify the color of the plotted lines as blue using 'b'. The plot function plots columns of Y versus columns of X. If one of X or Y is a vector and the other is a matrix, then the matrix must have dimensions such that one of its dimensions equals the vector length. If the number of matrix rows equals the vector length, then the plot function plots each matrix column versus the vector.

Arrange multiple plots into a grid

Arrange multiple plots into a grid.

Arguments

List of plots to be arranged into the grid. The plots can be any objects thatthe function as_gtable() can handle (see also examples).

(optional) List of plots to display. Alternatively, the plots can be providedindividually as the first n arguments of the function plot_grid (see examples).

(optional) Specifies whether graphs in the grid should be horizontally ('h') orvertically ('v') aligned. Options are 'none' (default), 'hv' (align in both directions), 'h', and 'v'.

(optional) Specifies whether graphs should be aligned by the left ('l'), right ('r'), top ('t'), or bottom ('b')margins. Options are 'none' (default), or a string of any combination of l, r, t, and b in any order (e.g. 'tblr' or 'rlbt' for aligning all margins).Must be specified if any of the graphs are complex (e.g. faceted) and alignment is specified and desired. See align_plots() for details.

(optional) Number of rows in the plot grid.

(optional) Number of columns in the plot grid.

(optional) Numerical vector of relative columns widths. For example, in a two-columngrid, rel_widths = c(2, 1) would make the first column twice as wide as thesecond column.

(optional) Numerical vector of relative rows heights. Works just asrel_widths does, but for rows rather than columns.

(optional) List of labels to be added to the plots. You can also set labels='AUTO' toauto-generate upper-case labels or labels='auto' to auto-generate lower-case labels.

(optional) Numerical value indicating the label size. Default is 14.

(optional) Font family of the plot labels. If not provided, is taken from the current theme.

(optional) Font face of the plot labels. Default is 'bold'.

(optional) Color of the plot labels. If not provided, is taken from the current theme.

(optional) Single value or vector of x positions for plot labels, relative to each subplot.Defaults to 0 for all labels. (Each label is placed all the way to the left of each plot.)

(optional) Single value or vector of y positions for plot labels, relative to each subplot.Defaults to 1 for all labels. (Each label is placed all the way to the top of each plot.)

Adjusts the horizontal position of each label. More negative values move the label furtherto the right on the plot canvas. Can be a single value (applied to all labels) or a vector of values(one for each label). Default is -0.5.

Adjusts the vertical position of each label. More positive values move the label furtherdown on the plot canvas. Can be a single value (applied to all labels) or a vector of values(one for each label). Default is 1.5.

Individual number or vector of numbers greater than 0. Enables you to scale the size of all orselect plots. Usually it's preferable to set margins instead of using scale, but scale cansometimes be more powerful.

(optional) How should margins be adjusted during alignment. See align_plots() for details.

Logical value indicating if the plots should be arrange by row (default) or by column.

Deprecated. Use ncol.

Deprecated. Use nrow.

Plots B =

Aliases

• plot_grid

Disciplines > Storytelling > Plots > Tobias' 20 Plots

The 20 Plots See also

Ronald Tobias, in his popular and practical book, 20 Master Plots, and how to build them, describes 20 common story plots and gives lots of detail on how to construct complete stories around them.

The 20 Plots

1. Quest

The hero searches for something, someone, or somewhere. In reality, they may be searching for themselves, with the outer journey mirrored internally. They may be joined by a companion, who takes care of minor detail and whose limitations contrast with the hero's greater qualities.

2. Adventure

The protagonist goes on an adventure, much like a quest, but with less of a focus on the end goal or the personal development of hero hero. In the adventure, there is more action for action's sake.

3. Pursuit

In this plot, the focus is on chase, with one person chasing another (and perhaps with multiple and alternating chase). The pursued person may be often cornered and somehow escape, so that the pursuit can continue. Depending on the story, the pursued person may be caught or may escape.

4. Rescue

In the rescue, somebody is captured, who must be released by the hero or heroic party. A triangle may form between the protagonist, the antagonist and the victim. There may be a grand duel between the protagonist and antagonist, after which the victim is freed.

5. Escape

In a kind of reversal of the rescue, a person must escape, perhaps with little help from others. In this, there may well be elements of capture and unjust imprisonment. There may also be a pursuit after the escape.

6. Revenge

In the revenge plot, a wronged person seeks retribution against the person or organization which has betrayed or otherwise harmed them or loved ones, physically or emotionally. This plot depends on moral outrage for gaining sympathy from the audience.

7. The Riddle

The riddle plot entertains the audience and challenges them to find the solution before the hero, who steadily and carefully uncovers clues and hence the final solution. The story may also be spiced up with terrible consequences if the riddle is not solved in time.

8. Rivalry

In rivalry, two people or groups are set as competitors that may be good hearted or as bitter enemies. Rivals often face a zero-sum game, in which there can only be one winner, for example where they compete for a scarce resource or the heart of a single other person.

9. Underdog

The underdog plot is similar to rivalry, but where one person (usually the hero) has less advantage and might normally be expected to lose. The underdog usually wins through greater tenacity and determination (and perhaps with the help of friendly others).

10. Temptation

In the temptation plot, a person is tempted by something that, if taken, would somehow diminish them, often morally. Their battle is thus internal, fighting against their inner voices which tell them to succumb.

11. Metamorphosis

In this fantastic plot, the protagonist is physically transformed, perhaps into beast or perhaps into some spiritual or alien form. The story may then continue with the changed person struggling to be released or to use their new form for some particular purpose. Eventually, the hero is released, perhaps through some great act of love.

12. Transformation

The transformation plot leads to change of a person in some way, often driven by unexpected circumstance or event. After setbacks, the person learns and usually becomes something better.

13. Maturation

The maturation plot is a special form of transformation, in which a person grows up. The veils of younger times are lost as they learn and grow. Thus the rudderless youth finds meaning or perhaps an older person re-finds their purpose.

14. Love

The love story is a perennial tale of lovers finding one another, perhaps through a background of danger and woe. Along the way, they become separated in some way, but eventually come together in a final joyous reunion.

15. Forbidden Love

The story of forbidden love happens when lovers are breaking some social rules, such as in an adulterous relationship or worse. The story may thus turn around their inner conflicts and the effects of others discovering their tryst.

16. Sacrifice

In sacrifice, the nobler elements of the human sprit are extolled as someone gives much more than most people would give. The person may not start with the intent of personal sacrifice and may thus be an unintentional hero, thus emphasizing the heroic nature of the choice and act.

17. Discovery

The discovery plot is strongly focused on the character of the hero who discovers something great or terrible and hence must make a difficult choice. The importance of the discovery might not be known at first and the process of revelation be important to the story.

18. Wretched Excess

In stories of wretched excess, the protagonist goes beyond normally accepted behavior as the world looks on, horrified, perhaps in realization that 'there before the grace of God go I' and that the veneer of civilization is indeed thin.

19. Ascension

In the ascension plot, the protagonist starts in the virtual gutter, as a sinner of some kind. The plot then shows their ascension to becoming a better person, often in response to stress that would defeat a normal person. Thus they achieve deserved heroic status.

Plots B 2

20. Descension

In the opposite to ascension, a person of initially high standing descends to the gutter and moral turpitude, perhaps sympathetically as they are unable to handle stress and perhaps just giving in to baser vices.

See also

Plots Bé Tone

Ronald B. Tobias, 20 Master Plots, and how to build them, Cincinnati: Writer's Digest Books, 1993